Memoirous

Recently, there’s been a dust-up in the publishing world: Controversy surrounding the successful memoir The Salt Path by Raynor Winn. It is one thing to use novelesque devices in order to pen a literary memoir. To cast an alter ego or stand-in for yourself. To write the memoir in third person. To change names to protect the identity of certain people. For clarity’s sake to eliminate characters or even to create a composite—as long as you alert the reader, such as in an introduction or disclaimer in the front matter. This is all acceptable. Real problems occur when one intentionally writes fiction and then tries to pass it off as memoir. When one writes in order to deceive then that writer has crossed a line. They not only harm their own reputation, but also break trust with their readers. Imposters such as James Frey with his A Million Little Pieces was intentional in his deception. Frank McCourt in Angela’s Ashes might have gone around a few curves in spinning his memoir—but ...