Fixing the Endling
In gymnastics they call it “sticking the landing.” Meaning: coming up with a solid finale to the piece, a culmination of all the bits and parts of plot, dialogue, and character. Hopefully, leaving the reader with a hmm instead of a huh?. The taste left in the mouth at the end of a great meal, the bit that stays with you. In my critique group I rely on Tim to help me stick the landings. Like it ends here or here is the last line. But, sometimes, all he says is it isn’t working or needs more and doesn’t tell me how to do it. When all I want is a story fairy godmother to swope in and fix it. Mostly, I want to live in denial and think everyone in my critique group is wrong. It’s hard to buckle down and see exactly how to end it. I mean I can end it, but what is the secret sauce the piece needs to really bring it together in that profound pondering way that feels like magic. I have a couple of examples. I had a short story about 7,000 words called “Museum of the Mall” (Spring 201...