Also a Poet, 50 Years Later
Frank O’Hara, Poet Among Painters, Marjorie Perloff
1998, University of Chicago Press, with a new introduction
O’Hara was about intense friendships.
Actually he was about many things: art, dance, classical
music, travel, gay theater, movies. He was about the exclamation point. It is
the singular fingerprint of his work.
How many of us grew up, in school being told the exclamation
point was to be used rarely, in instances of the extreme. Indeed, I once
sneaked a peek (okay, I was spying)at a roommate’s diary, a girl I didn’t like
and liked even less when I saw the page covered in exclamation points. She was
as shallow as I suspected, is what I told myself. The (exclamation) point is
she probably was, exclamation points aside. So I planned to be careful,
judicious, barely rising above a whisper. Early Jane Hertenstein work does not
display an ounce of exuberance.
Then I discovered Frank O’Hara, and the fun began.
I could be playful, fey, charming, bantering about. Just
like Frank.
All along he brought me inside his circle of friends. For
once I felt as if I belonged. I was allowed to feel, to let my voice crack in
enthusiasm, talk a little loud, eat noisily, sit with my legs spread. Life on
the edge of exclamation.
Take a look at his poem, “Today,” included, along with the other poems in this essay, in the 2008 collection Selected Poems:
Oh! Kangaroos, sequins, chocolate sodas!
You really are beautiful! Pearls,
Harmonicas, jujubes, aspirins! All
The stuff they’ve always talked about
Still makes a poem a surprise!
These things are with us every day
These things are with us every day
From the website: The Millions
The essay:
Frank O’Hara’s Lessons for Being Gay
By Christopher Richards, July
1, 2013
He’s so sincere, that as much as I admire him (and I really
admire him!), I’d feel embarrassed to have written some of his poems. Not
because it’s shameful, but because it’s just too, too much. But he means
it.
O’Hara’s poems are an antidote to this feeling of shame over the tastes we
find natural and immovable. James Schuyler, perhaps the most
sublime poet of the small thing made infinite, in one of his many catty,
bright, loving letters to his dear friend O’Hara put it best:Your passion always makes me feel like a cloud the wind detaches (at last) from a mountain so I can finally go sailing over all those valleys with their crazy farms and towns. I always start bouncing up and down in my chair when I read a poem of yours like “Radio,” where you seem to say, “I know you won’t think this is much of a subject for a poem but I just can’t help it: I feel like this,” so that in the end you seem to be the only one who knows what the subject of a poem is.
But there’s joy in loving what you love, a purity in
expressing it exactly in its unchecked, effusive and messy truth, and O’Hara
felt no shame in putting that feeling out there with an exclamation!
At O'Hara's
funeral, Larry Rivers said, 'Frank O'Hara was my best friend. There are at
least sixty people in New York who thought Frank O'Hara was their best friend.'
That sentiment was echoed repeatedly by those who knew him. Everyone he
befriended felt the greatest intimacy with him, even as they recognized that
his intimacy was exclusive only for the time that they were with him. As John
Gruen wrote, 'When Frank talked to you he made you feel everything you did was
of vital importance and interest - at least for the moment.'
The
exclamation point never detracted from his seriousness, that he was seriously
briliiant, an intellectual, could think and talk most people under the table. That
sense of riding the wave of the present can be felt in much of O'Hara's best
poetry; the urgency of his need to be right there, right now.
It has been 50 years since his untimely death on Fire Island
(July 25, 1966) when he was hit by a dune buggy before succumbing to grievous
internal injuries the next day.
He left us a legacy, an example of how to be a friend.
Some lines from O’Hara’s “Poem (And tomorrow morning at 8 o’clock in Spingfield, Massachussetts”):
When I die, don’t come, I wouldn’t want a leaf
to turn away from the sun — it loves it there.
There’s nothing so spiritual about being happy
but you can’t miss a day of it, because it doesn’t last.
to turn away from the sun — it loves it there.
There’s nothing so spiritual about being happy
but you can’t miss a day of it, because it doesn’t last.
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