The Horse Affair
I’m not sure what brought up the topic, but during a
conversation I mentioned The Horse Fair by Rosa Bonheur. Perhaps
it was a discussion of art by women or masculine subjects tackled by women
artists or masterpieces at the Metropolitan Art Museum. Little did I realize
I’d stumbled upon a unique touchpoint.
We were virtual strangers, having just met,
so it was a huge coincidence that a single artwork connected us.
It was Christmas 2002 about a year after the
Towers fell and New York City was still jittery. Nevertheless, Rockefeller
Plaza was all lit up and the sidewalks were packed with tourists and holiday
shoppers. My daughter was probably thirteen at the time. I’m sure the last
thing she wanted to do was hang out with her parents, or visit a museum. But it
had been my dream to see the Met. All sorts of promises were made and
incentives offered, yet after an hour both my husband and daughter were done
looking at pictures. I, on the other hand, was just getting started. We finally
compromised by letting them leave while I stayed.
Heaven. I meandered the galleries to my
heart’s content. At one point I remember turning a corner and—there—tucked away
was The Horse Fair. A lively rambunctious, ambitious masterpiece by a woman.
Rosa Bonheur painted in Paris during a time (mid 1800s) when women were
primarily the subject/object and not a creator of art. Rosa certainly took the
reins. I was transfixed.
My acquaintance recounted a similar experience.
She and her family were in town also over Christmas, her son being about the
same age as my daughter. The Met was hers for the day while the others were off
exploring. She too was pulled into the frame, spending time studying the
swirling circle of horses.
What are the chances that it would be art
from over a hundred and fifty years ago from an artist seldom on the top list
of must-sees! Marge Malo and I
bonded over The Horse Fair. Check out her website where she has a graphic blog.
The Horse Fair, Rosa Bonheur, 96 1/4 x 199 1/2 in. (244.5 x 506.7 cm) |
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