Monday, October 30, 2017

Riding Bikes on a Warm October Night

Next to last weekend in October
we leave the campfire mid-way through
with the idea we will go for a ride

We see the city lights from Montrose Point
we ride the lakefront path in semi-darkness past
the golf course
the tennis courts
the batting cages
the dog park
the quiet zoo
streets deserted, riding into
the heart of the city as if it were
a full moon

At a certain point the wind picks up leaves
scatters them before us
a swirling yellow tide
and I try to say it makes me feel
sad, a sense of transience
and you say in English your second language
how the blowing leaves always makes you feel
happy

We are both right
a moment pregnant with happiness and sadness
is bittersweet

We rode home content.

Friday, October 27, 2017

365 Affirmations for the Writer

Writing is a journey. Every time we sit down to begin a piece or write the first chapter or the first line we are venturing into uncharted territory. We never know how it is going to turn out. Oh, we have a certain idea, like most pioneers or explorers. But, these journeys can take detours; we have to react to circumstances and often go with our gut.

365 Affirmations for theWriter is about listening to those who have gone before us and letting them guide us with their insight, their own trials. They know the terrain, how harsh it can be; they know where we can find water, shade, and rest along the way. By reading what others have said, we can survey the path before us, count the cost, and plunge ahead.

My motivation for compiling 365 Affirmationsfor the Writer is to offer light along the way. From day to day, week to week, we are getting further inside our writing, further down the path.

The book is 365 days of inspiration—quotes from writers and writing prompts. Here is a what you might expect, from the first week in January:

January 1
You Determine Where You’ll Go
You have brains in your head. You have feet in your shoes. You can steer yourself any direction you choose. You’re on your own. And you know what you know. And YOU are the one who’ll decide where to go...
― Dr. Seuss, from Oh, the Places You’ll Go!

January 2
Books
Books are the grail for what is deepest, more mysterious and least expressible within ourselves. They are our soul’s skeleton. If we were to forget that, it would prefigure how false and feelingless we could become.
― Edna O’Brien, from It’s a Bad Time Out There For Emotion

January 3
Books
A room without books is like a body without a soul.
― Cicero

Can you recall the first book you read? Right now write about that experience and what keeps you coming back to books?

January 4
Outlines—Yes or No
I’m one of those writers who tends to be really good at making outlines and sticking to them. I’m very good at doing that, but I don’t like it. It sort of takes a lot of the fun out.
― Neil Gaiman, winner of both the Newbery and Carnegie Medals, and many other awards too numerous to list, from and interview by Chris Bolton, Powells.com, August, 2005

January 5
Outlines—Yes or No
A lot of new writers assume you have to know the where the story is going and that it flows out as molten gold. But really, sometimes you think you are going to one place, but then you decide that is dumb idea. Then you go somewhere else and it is a worse idea. But then you switch again and you might have a beautiful accident.
― Patrick Rothfuss, writer of epic fantasy, namely The Wise Man’s Fear

Do you use an outline or go by instinct? Mindmapping is one such way to free associate. Rather than work consecutively or following a certain set of logic, mindmapping allows you to start with one idea and link it to another, even if there is no obvious connection. Some work with words and images, drawing pictures or icons or simply the use of color to describe their feelings. It is the same part of your mind that doodles during a lecture. There is the main idea, but the supporting material under the surface that you want to access. Allow yourself to explore what appears to be non-sense.

January 6
Rules
There are no laws for the novel. There never have been, nor can there ever be.
― Doris Lessing, Nobel prize-winning novelist

January 7
Characters
First, find out what your hero wants. Then just follow him.

― Ray Bradbury
order today!
https://www.amazon.com/365-Affirmations-Writer-Bonus-Material-ebook/dp/B00Q5KBNNC/ref=sr_1_1?ie=UTF8&qid=1417447030&sr=8-1&keywords=365+affirmations+for+the+writer

Wednesday, October 25, 2017

flashback to a few years ago

The Great Pumpkin


Pumpkin latte
Pumpkin parfait
Pumpkin flambé

Pumpkin pie
Pumpkin fries
Pumpkin chai

Pumpkin cheesecake
Pumpkin pancakes
Pumpkin shakes

Pumpkin soup
Pumpkin mousse
Pumpkin juice

Pumpkin oats
Pumpkin compote
Pumpkin floats

Pumpkin spice
Pumpkin diced
Pumpkin n’ rice

Pumpkin gelato
Pumpkin dough-nos
Pumpkin gumbo


Oh pumpkin, late have I come to know ye

Monday, October 23, 2017

A Random Footnote

I’m still working on a hybrid manuscript I started this summer on Great Spruce Head Island on James Schuyler and his connection to the island and the Porter family. In re-reading Just the Thing: Selected Letters of James Schuyler 1951-1991, I came upon a random footnote.

First some context. James Schuyler was crazy.

He didn’t start out that way. He was a curious, witty, conversational gay young man. He was a self-taught poet, once serving as a secretary to W. H. Auden at his vacation home on Ischia in Italy. Moving amongst heady circles he associated with renowned poets and artists. Until his breakdown, or series of breakdowns. This was in the days when psychological drugs were still in their infancy. If you were diagnosed as schizophrenic you were sentenced to a life of lithium and being zoned out. No wonder most creatives risked psychosis rather than being medicated.

Mostly Schuyler kept his episodes in check. The stability of living with the Porters helped as well as the support of a network of friends ie The New York School.

Footnote from Just the Thing: Selected Letters of James Schuyler 1951-1991

Schuyler in Vermont General Hospital in Woodbury, VT following a breakdown while visiting Joe Brainard and Kenward Elmslie at their vacation home

…This episode began on a night that Schuyler locked himself in a v=bathroom and proceeded to wash his money. In the morning Elmslie and Joe Brainard and John Ashbery, who were also staying in the house, realized that Schuyler was not going to snap out of it. Elmslie called the state police, who came with a doctor. Not wanting to be institutionalized again, Schuyler refused to go until Ashbery agreed to accompany him in the police car.

A footnote, in time, giving me pause. I could just imagine the scene.

Some context. I’ve been crazy.

I remember times during college when I went on crying jags, lost my mind over the stress of academic workload, money worries, anxiety about friendships, the future. Who wouldn’t feel on edge? I wrecked a friend’s car (because mine was in the shop getting fixed)—I was all right—but had to figure out how to get it back from the shop out of town and pay for repairs. And I was graduating in a month about to embark on—

I had no idea.

Friends walked me back from the ledge. Got me sorted and launched in Chicago. Whew!

I imagined Kenward and Joe knocking on the bathroom door, shouting Are you okay? Then John stepping up, Hey buddy. Promising he won’t leave him. I’ll go with you. Whatever it takes to get you better.

I can bet this wasn’t what Ashbery went to Vermont for. He was probably looking forward to a vacation, relaxing in the Vermont woods with the fall colors. Maybe getting some writing done. This must have been perceived as a huge disruption.

He rode along in the police car with James to the hospital. I’m sure he didn’t want to see his friend committed, navigating the sticky landscape of seeing a friend go off his rocker and convincing him—this is for your own good. I’m sure he had to do a lot of verbal dancing ie lying. An act of betrayal. The whole time hating himself.

It was a short, random footnote that spoke volumes.


This past September we lost John Ashbery. A true friend.
Schuyler and Ashbery

Friday, October 20, 2017

Dog Eared: a reivew

Dog Eared: A Year’s Romp through the Self-Publishing World
W. Nikola-Lisa
Gyroscope Books

A million years ago I was strolling through a book fair. I know, remember those things. It seems a whole world has changed since those days. Though we are still reading, it is just by a variety of conveyances: usually electronic—even as I write this review it will be typed into a computer and likely read by others on a computer.

Nevertheless, children’s books are still the domain of the physical book. Children love to be read to and also spend time leafing through books to look at the pictures. W. Nikola-Lisa was at this children’s book fair in the reconstructed Stock Exchange room of the Chicago Art Institute. We got to talking, I made a faux pas, he corrected me and the rest is history. I commented that I loved the illustrations of Night is Coming and re replied he was the author not the illustrator. I then said I loved the lyrical writing, more like a lullaby, perfect for lulling a child to sleep. Tells you how long ago this was as I haven’t tucked a child in for a number of years.

Anyway, W. and I connected over writing. He now has a new book out: Dog Eared: A Year’s Romp through the Self-Publishing World, scheduled for release Sept. 7, 2017. Nikola is self-publishing these days and has started his own imprint, Gyroscope Books. It give him the freedom to write along wide interests. He uses CreateSpace and Ingram Spark to print paperback and hardcover copies of his work. All are readily available through wherever you get books—either digitally or print-on-demand. See it is a new world.

Dog Eared is a year-long romp through the trials and tribulations of being a writer and bibliophile in a world of shrinking shelf space. Those of us who collect books are finding ourselves running out of space or needing to downsize. Nikola uses this as an excuse to write abut how books have impacted his life, giving us a memoir and a how-to on becoming an independent publisher. We read the journey he took from being a traditional author to an authorpreneur.

He’s broken the memoir down into 4 sections to represent seasons of the year, even as he takes us through the years he spent getting published, established, on up to today’s current publishing landscape. Children’s publishing is a bright spot for many publishers, having rebounded since the crash of 2008/9.


Nikola good luck with your words and wisdom for those hoping to follow in your footsteps!

Wednesday, October 18, 2017

Order Today

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Monday, October 16, 2017

Writing Out Loud

Writing Out Loud
Beth Finke
Golden Alley Press

I probably met Beth Finke a decade ago. We met at a party at the offices for Open Court Publishing, parent company of Carus Publishing, parents of Baby Bug, Spider, Cricket, etc. magazines for children. Beth had just wrapped up a picture book about her seeing eye dog, Hanni and Beth: Safe & Sound.

Through the years we’ve kept in touch. At certain points living parallel lives. For instance last summer she was attending the IOTA Short Prose Conference on Campobello Island about the same time I was cycling down the coast of Maine to reach the mailboat to take me out to my residency on Great Spruce Head Island (Art Week). In addition Beth is a prolific blogger. But the main thing we have in common is memoir. Beth facilitates 3 or 4 memoir writing groups all over the city. I released an eBook this spring Flash Memoir: Writing Prompts to Get You Flashing while Beth launched Writing Out Loud: What a Blind Teacher Learned from Leading a Memoir Class for Seniors.

Writing Out Loud gets its title from the fact that class participants read their 500-word essays out loud. Everyone has to listen and follow along. Every week she gives out a prompt at the end of class and “students” work on them, sending their essays ahead of time. Beth reads over each and every one, commenting. The essays are kept to 500 words—about the amount of time it takes her to deliver one of her NPR personal essays. Beth has also figured out a system of Scrabble tiles the students select to see who gets to read first. From reading Writing Out Loud you come to realize one has to get up pretty early in the morning to outwit Beth Finke.

Writing Out Loud is part Beth’s memoir of how she became a group facilitator and starting her own memoir-writing class. It’s also a platform where her students could share their work. Beth wrote in loving detail about dozens of her students. Included in Writing Out Loud are essays that fill in the gaps of not only personal history but stories of Chicago, resistance, identity, and rivalry (Sox and Cubs) from class members. We also learn methods for leading memoir-writing as well as some of the prompts Beth has used to great success.

This is a book about listening, being present to the world, using our senses to interpret life around us. We begin to “see” life through Beth’s eyes. Her message is: Stay open.

Thursday, October 12, 2017

Forgotten Chicago, Museums

The Lincoln Park Zoo
This is not exactly a museum, but it is a memory. I remember going to the Lincoln Park Zoo on numerous occasions. It was FREE! (Though over the years I’ve had two bikes stolen, locked up out front of the zoo—so not quite a bargain!)

Through the years animals have come and gone. Gone are the elephants. Humanely it was not possible to keep such a large animal in a small enclosed space. The polar bears have also suffered.

I’d have to say one of the most popular exhibits has been the Ape House which went through a recent renovation: They now have a great outdoor playground. The old house really did come across like cages behind glass (as opposed to the new facility which is also cages behind glass but disguised to look like a jungle).

One of the my first observations at the zoo was not so much the animal behind the glass, but the animals in front of the glass. The people who came ritualistically, daily, to connect with their friend, their special hairy ape friend. They are a vanishing species.

These were real relationships. I once saw an orangutan go “ape” after catching a glimpse of their special human. And, if you know orangutans, they can be especially dismissive, actually coming across bored. They’d sit behind glass picking their noses staring back vacantly. Until, suddenly . . . they rush the window. The person next to me wouldn’t have normally stuck out. In fact, some of these obsessive visitors I might have concluded were homeless, carrying dirty, overstuffed shopping bags, wearing greasy, wrinkled overcoats, their hair unwashed, their faces unshaven. The apes in contrast seemed more well-groomed and cared for. Of course they didn’t have to work for their room and board, and health care was free.

But then the same could have been said of me—why was I there in the middle of the day observing the human/ape interaction? Maybe I was the loser. I know I was because when I saw the connection between the orangutan and the visitor, I saw what I was missing out on. Someone who couldn’t wait to see my face everyday, someone to talk and coo at me, call me baby. I really felt like an outsider. I longed for an orangutan friend.


To this day whenever I enter the ape house which now looks like the suburbs with all their play equipment, I get a little glitch in my heart knowing I’ll never have as good a friend as those apes and their special human.



Tuesday, October 10, 2017

Forgotten Chicago, Museums

Art Institute of Chicago
What a wonderful world to get lost in—this place of armor, hydra heads, Nighthawks, Ivan Albright, Louis Sullivan, and miniature houses/interiors. When I first came to Chicago in the early 80s you could get into the Art Institute with a donation. I once paid 25¢, rather donated.

I have to admit I wasn’t always an aficionado. Today I work for a gallery, helping to curate their exhibits and write up descriptions. Back in 1982 I used to think what was the difference looking at art in a book or up close in person. Then I turned a corner.

It happened in Washington DC at the Corcoran, I turned a corner and came across the Moor, with his black bold face, flaring nostrils. I loved that picture. And, because it was hard to find my way around, I kept turning that corner and encountering the Moor. At lot of how I discover cool stuff is by getting lost.

When I came back to Chicago I paid a visit to the Art Institute and it was as if I’d woke up; I was alive to art in a way I hadn’t been before. I loved Paul Klee’s little girls—they made me happy. There was a ceramic lotus flower in the Korean part of Asian Art that I would visit like one would a favorite palm or orchid at the conservatory. I was held spellbound by the trompe l'oeil in the basement—I memorized galleries and could wind my way to them without a guide. When the Terra Foundation of American Art donated many of its holdings to the Art Institute I fell in love with a straw hat full of cherries. I fell into the simplicity of the image. There are so many more that weren’t just images, but evoked feelings, memories, flashing synapses in my brain. Most of all I loved to visit on rainy days, spending all day wandering around, eating lunch at the cafĂ©. Indulging myself as if I were a tourist, a foreigner in town for a day. I loved to pretend I was someone else: Georgia O’Keeffe in the desert with my skull and bones, my whitewashed churches, black crosses. I wanted to soak in the liquid blue of the Chagall windows, put myself inside one of those little Thorne Rooms. I’d stand there peering inside wondering what it must be like to live in that space, peer through the windows, open the door to another landscape. Even if it was all make-believe.

Today you need to take out a mortgage to visit the Art Institute, even with a student pass it’s $20. Of all the museums, the Art Institute is the most generous with Free Days for Chicago residents. I look forward to February when I can browse for free the entire month. 
Head of a Moor by Henri Regnault, 1870 - Corcoran Gallery of Art
Terra Foundation for American Art: Collections

Friday, October 6, 2017

Forgotten Chicago, Museums

Shedd Aquarium
I find it rich that the aquarium is one of the most expensive museums in Chicago. It costs as much as a trip to Europe and yet every day during the summer there are long lines waiting to get it. Forget Spring Break—you’d need to start lining up in February when the wind whips in off the lake and freezes you as you walk down Roosevelt Avenue from the train. It could easily cost a family of 4 $200 for same-day admittance.

Hard to believe that when I first visited the Shedd in the early 80s it was free. Truly you could not pay someone to go there. The place was always empty, and smelled like a chlorine pool, one with a little bit of mold growing in it.

This was before the addition of the Abbott Oceanarium. Back when I went the niftiest thing was when a guy or gal in a scuba diving outfit entered a tank to feed the sharks. The divers burbled around while the lazy sharks lay at the bottom totally uninterested in fresh meat. I just checked the website: $89.95 for adults; $80.95 for children; $54.00 for members.
Dive deeper into Wild Reef—and experience mealtime with the sharks—during this new 90-minute guided exploration . . . Really?

The aquarium was dark and dingy with a couple of galleries full of fish tanks. I remember dark paneling as if it were your parent’s basement. The fish were colorful and exotic, but all they did was flit about.


The new Shedd is definitely a step up from the old days, yet as much as I love the new displays I miss the old prices—when Chicagoans could actually afford to see the displays. So now it’s either you can buy a new car or a ticket to the aquarium, or as things keep evolving a can of soda pop. 

Wednesday, October 4, 2017

Forgotten Chicago, Museums

I moved to Chicago in 1982 from Dayton, Ohio and going to university in Athens, Ohio. So, yeah, Chicago was the big-time. I immediately set out to explore the city. I remember every weekend depositing my token into the turnstile and hopping a train to downtown to walk around or explore a museum.

The museums opened up whole worlds to me.

Museum of Science and Industry
The Museum of Science and Industry in the early 80s seemed super corporate. For instance there was the General Motors Gallery and the AT&T Gallery. Nowadays this is somewhat standard. You can’t even build a stadium without naming it, not for a benefactor but a business. The Ramen Noodle Arena. Quicken Loans. Remember the Enron Stadium until they went belly up, taking investor money with them. I believe the AT&T Gallery had a display of telephones, a concept so far in the past that it now belongs in the nostalgic Main Street display, the one with “gaslight” lamp posts and the ole Walgreens Pharmacy, where remedies were devised from caffeine syrup and sold as elixir along with malts and open-face corn beef sandwiches.

What I remember most is getting lost. The stairways were color coded, but yet I couldn’t seem to connect one floor to the next in a straight line. I kept ending up by the chick hatchery or more creepily in a somewhat darkened stairwell with slabs of crosswise-cut kidneys and hearts pressed air-tight between two pieces of glass and sealed inside. It was the kind of thing that would amaze a future doctor, not someone simply trying to find the Fairy Castle. I was grossed out. Not the least by the babies floating in jars. There was a display of fetuses in different stages of growth on up to pre-birth preserved in formaldehyde on one of the top floors.


Of course there was the WWII German submarine, the flight deck, and the coal mine for an “interactive” experience, but the lines were so long I didn’t feel like waiting to get in. The mere act of getting to the MSI from the northside was enough of an interactive experience for me, at least a train and a bus—it took a couple of hours both ways to get there and back. We didn’t go more than a few times.

Tuesday, October 3, 2017

The Words You’re Hoping to Hear

Recently I read a small graphic book, Make Trouble from a commencement speech delivered at the Rhode Island School of Design by designer/film maker/artist/idea-ist John Waters. One line that stood out: A career in the arts is like a hitchhiking trip: All you need is someone to say “get in” . . .

This really resonated with me, a middle-aged been at this a long time writer who seemed to have some early success, but had stalled out and turned to writing about writing ie Freeze Frame and Flash Memoir: Writing Prompts to Get you Flashing. I’d definitely put in my 10,000 hours, plus. And, now all I was looking forward was someone to email me back with the right words, the words I’d been hoping to hear for a good decade.

It wasn’t for lack of trying. I’d sent this poor, page-stained, corners curled digital manuscript out to numerous untold agents. With no luck. Those who say it isn’t luck, that luck means you have no real talent are already well on the road to publication, having solo shows, etc. I needed a miracle, a lightning strike of good fortune—a bit like how my first manuscript was pulled out of the slush pile and published by a respected editor at Morrow Junior Books.

Time and technology has assured me since that 1) there is no transom or slush pile in the world of digital submissions and 2) even if there was a portal, that door has long been slammed shut to citizen writers without representation.

I was having trouble making inroads after the initial publication and good reviews for my YA novel Beyond Paradise. Morrow merged with Harper Collins a few weeks after my debut novel released and, well, let’s just say hot dogs have a longer shelf life than my book.

Until—last month I got a phone call. Wait. Listen. Because my editor at Golden Alley Press said the words I’d been hoping to hear: I love this manuscript. It was a car pulling off the freeway, the driver motioning for me to get in.

Then something else happened: She said, It made me laugh. Then it made me cry.


Dear readers, thanks for reading this blog, for continuing to persevere and pushing me along. Get ready; we’re going on a ride. Tentative pub date, Fall 2018.


Monday, October 2, 2017

Order a copy of Flash Memoir

Click on the book at the side panel to order a copy. Also available from:


Apple

Baker & Taylor Blio

Baker-Taylor Axis360

Barnes & Noble

Diesel

Flipkart

Gardners Extended Retail

Gardners Library

Inktera (formerly Page Foundry)

Kobo

Library Direct

Odilo

OverDrive

Oyster

Scribd

Sony

Tolino

txtr

Yuzu